| 2006 |
Ashes Against the Grain
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CD |
Grau |
grau 006 | | 2006 |
Ashes Against the Grain
[Alternate Cover]
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CD |
Grau |
grau006 | | 2006 |
Ashes Against the Grain
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CD |
The End |
TE070 | | 2006 |
Ashes Against the Grain [wooden box]
[Limited Edition]
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CD |
The End |
TE070 | | 2007 |
Ashes Against the Grain
[180 gram], [33 rpm], [Bonus Tracks], [Gatefold], [Limited Edition]
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Vinyl LP |
Infinite Vinyl Series |
IVS014 | | 2007 |
Ashes Against the Grain [orange]
[180 gram], [33 rpm], [Bonus Tracks], [Colored Vinyl], [Gatefold], [Limited Edition]
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Vinyl LP |
Infinite Vinyl Series |
IVS014 | | 2007 |
Ashes Against the Grain [splatter]
[180 gram], [33 rpm], [Bonus Tracks], [Colored Vinyl], [Gatefold], [Limited Edition]
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Vinyl LP |
Infinite Vinyl Series |
IVS014 | | 2007 |
Ashes Against the Grain
|
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CD |
CD-Maximum |
CDM 0107-2642 | |
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qitozex
 2/2: ABOVE AVERAGE
Digital
[Rating25285536]
|
What has transpired in the weeks I suffered without a vast collection of music to call my own? During the summer months (July and August in particular) I felt this enormous respect and appreciation for these lesser-recognized extreme metal bands. Moonsorrow, Thy Catafalque, Isis, Equilibrium, and Agalloch. You know, the metal that was woodlandy, but not swimming in embarrassing viking tonality like Hammerheart. Well, I lost my music (all digital) in the early days of September of this year (2009), so I had to rely on what my ipod contained as well as whatever last.fm and pandora threw at me. And really, I didn't have a ton of metal on my ipod, and last.fm and Pandora didn't know Neurosis from August Burns Red, so this sort of metal faded from my attention for a while.
Then came the new computer, and with it came the rebuilding of a three-year compilation of music (which I have since replaced and doubled in three months). Of course, I got the most obvious artists first, namely the full discographies of The Beatles, the Rolling Stones, Radiohead's studio work, Sonic Youth's studio work (bad decision), among other tired classics and indie sweethearts. Again, the idea of fresh, new metal filling my library never crossed my mind as I searched for Metallica's discography, as well as Black Sabbath's ozzy years. I did get Neurosis, though. The reason behind them being the only one still escapes me.
Then, metal caught up with me when I began my Top 100 albums of the Decade list. Agalloch appeared upon it twice, The Mantle, and Ashes Against the Grain. I felt confident enough in my enjoyment of the former in the past that I simply rerated it and reviewed it and called it good. I hadn't looked past it, though, so this album hit my download list fast. Originally, "Limbs" took a bit too long to go through its whole deal, but was still very good. Then, "Falling Snow" came on and I instantly proclaimed the albums better than The Mantle. The Mantle never had anything like this song. "This White Mountain on Which You Will Die" kinda dragged my hopes down. I never much enjoyed the folky interludes on The Mantle, but, this track wasn't like any of those. First, it was its own entity, not smashed within two walls of gigantic metal riffage, and it was far more akin to Godspeed You! Black Emperor-brand post-rock, whom I had recently gained great appreciation for in Lift Your Skinny Fists Like Antennas to Heaven. "Fire Above, Ice Below" returns to that world of folk, but, again, when not stuck between metal aesthetics, sounds refreshing and calming rest before diving once more into the rough oceans. "Not Unlike the Waves" prepares the body and soul for the finishing epic, "Our Fortress Is Burning", the greatest 19-minute track of metal I can recall.
Odd how I went in to this review thinking I would want to drop this album's rating further (it started at 4.0), but I ended up wanting to boost it back to that point. I never listened to it was the problem. It's not the kind of album you listen to everyday, you could say. More, you treat yourself to the wintry drear and despair when you feel it most necessary. Whether you need a catalyst to burst yourself into tears of loss or feel yourself happy for no reason and wish to return yourself to a sense of normalcy, this album can do the trick if you let it. |
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Vehemence
 Perfect, 4.75 - 5
Digital
[Rating7491088]
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Agalloch is good at conveying one feeling: desolation. And I absolutely love the way that they do it in this album. The soundscape they create with their low tonal synths, acoustic guitar, heavy riffs and hoarse growls is absolutely incredible from start to finish. These elements of the music both contrast with and complement one another in one of the most fluid displays of creative songwriting I've ever listened to. |
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Timo_van_Helvete
 Good
[Rating26097685]
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1 Limbs: 4 2 Falling Snow: 3.5 3 This White Mountain on Which You Will Die: 3.5 4 Fire Above, Ice Below: 3.5 5 Not Unlike the Waves: 4.5 6 Our Fortress Is Burning... I: 3.5 7 Our Fortress Is Burning... II - Bloodbirds: 4 8 Our Fortress Is Burning... III - The Grain: 2.5
Rating: 3.625
Favorite Track: Not Unlike the Waves |
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Rasputin2
Digital
[Rating25960344]
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While opener 'Limbs' is an incredibly solid track, Ashes Against the Grain falters in its necessity to hold the listener's attention. Second track 'Falling Snow' is the perfect example of this particular weakness; the track does not have the mysterious aura that normally comes with Agalloch's music, and is left as a rather contrived effort alongside the much better previous track. 'Fire Above, Ice Below' sits in between the aforementioned tracks in terms of quality, but its similarity to the 'She Painted Fire Across the Skyline' trilogy from Pale Folklore, especially in its clean sections, leaves one thinking whether Agalloch have more than the one trick up their sleeves. Nevertheless, this track and the following 'Not Unlike the Waves' are good songs without a critical comparison; it is in the album's attempt at replicating an epic three part song as done in Pale Folklore which ultimately brings the album down. The three parts are somewhat bland, and do not have the cohesiveness that one would expect from a talented and mature band such as Agalloch. The pinnacle of the album's failure is that it does not offer anything, other than the odd song or two, which would lead me to prefer it over any of Agalloch's other albums; a crucial failure, in my opinion, seeing as how little the band's sound has progressed over their discography. |
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Colum
 Competent
[Rating25924876]
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Something funny happens when you're new to a style of music. If you really enjoy it, at first, every band is great. You're drawn to the sound and characteristics of the genre and cannot really differenciate between a good and bad band yet as their writing and playing ability doesn't really matter to you as much as the fact that they're playing this style.
Agalloch are a post-rock band. Pretty cut and clean, falling almost strictly into the borders of the definition. Now, they've mostly been picked up by metalheads, and it's pretty obvious why. One, they use occasional black metal vocals, which is a great turn on for new fans of black metal as it feels black without necessarily being very heavy or difficult listening. And two, they're assosiated almost exclusively with the metal scene as that's where they're advertised and promoted and such. If they aimed their music at the post-rock crowd, I don't think they'd really get very far as their competition would be huge. I'm not much of a fan of post-rock, but I can recognise great music when I hear it (Sigur Ros, Explosions in the Sky) and Agalloch are just too generic to compare. But to metalheads who are completely unfamiliar with post-rock, they love Agalloch due to a sound that isn't necessarily their own, and can look past the fact that the songwriting is rather mediocre.
Not that Agalloch are a bad band, but considering this is seen as some big artistic masterpiece it is rather one-dimensional. Most of the dynamics come from the guitar, and the rhythm doesn't really do much of interest. Not that that's a bad thing, but they have some serious competition with other bands in this style (well they don't, because their audience is essentially just the Opeth fanbase, but they should do). Vocals range from decent cleans that sing simple melodies, to a bit of a silly-sounding whisper, to black metal hisses that sound completely irrelevant and out of place in this kind of music.
So the guitar takes most dominance, and plays these big, sweet, sugar-coated melodies that are admittedly rather nice although nothing overly special. I think the main problem for me is that it just doesn't invoke any kind of emotion in me at all. A lot of people call it melancholic, but melancholy is such a generic, uninteresting emotion. Besides, I don't feel it and I don't think that's what the band aimed for, this feels more bliss than anything. 'Falling Snow' is pretty nice in that regard, and the cream of the crop 'Our Fortress is Burning II Bloodbirds' has a very nice recurring melody, especially the tail end of the riff. But it's just not enough. There's a lot of pretty noodling, cutesy tremolo and such, but nothing really stands out besides the odd nice riff. And there are wave sounds and acoustic plucking and backing synths and a long noise outro and...yeah, just feels like too much filler on such a critically acclaimed album.
I guess the most contraversial claim I can make is that this isn't a metal album, and unless Agalloch's earlier works are radically different they're not a metal band. This is mostly post-rock with a slight folk-tinge ending with a rather pointless and tedius noise track. I don't really recommend this unless you're really into pretty melodies that make you think of lightly falling snow and that sort of thing, but even then there are probably better bands. Not metal enough for metalheads and not consistant enough for post-rock fans, make of that what you will. |
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chspiratecd
 Average
[Rating25863951]
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Still need to give this one more listens, but as of now worse than its two predecessors. |
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Dystopia88
 Charlton Athletic 4 - 4 Sunderland 1998
CD
[Rating25344552]
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You may notice that I called Panopticon the album that blew things wide open for me, again. This is the best record in that vein that I have found since.
Took a trip to the North Yorkshire Moors, scaled peaks and observed the stunning views of Earth, just a short drive away in this very country. Amazing. I felt weary, breathless at the infinite beauty and the fact that I can never take all of that in or sample the essence of nature in every single place where it resides.
It was this album. This album was those views, those feelings and that beauty. I can mine this until I die and I will discover new treasure every time. There isn't a single second I can't lose myself in on this record. |
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KSmyth01
Digital
[Rating25049592]
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Although not all tracks are amazing, this album gets 5 stars for pure originality and emotion. There is no other band like Agalloch. This album manages to be completely epic without having to resort to anything else part from guitar, drums, bass and vocals. |
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saucyjack1968
Digital
[Rating24963378]
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The music is amazing. Truly one of the best albums I've heard,...musically. Too bad they decided to let the satanic monster dude sing lead on the album to try and make it sound scary. Otherwise, I would've given it a 5. |
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Jotun6666
[Rating24656788]
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It really is better than The Mantle. It is deep, it is desolate, it is distant, it is bleak, it is perfection. |
distribution | 0.5 | | 21 | | 1.0 | | 7 | | 1.5 | | 14 | | 2.0 | | 40 | | 2.5 | | 60 | | 3.0 | | 160 | | 3.5 | | 242 | | 4.0 | | 557 | | 4.5 | | 531 | | 5.0 | | 382 |
| most recent
| |  2/2: ABOVE AVERAGE | | Digital |
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| |  +++ | | |
| |  Amazing/Heading to 4.5/Reese Witherspoon | | |
| |  Très bon (7,5/10) | | |
| |  near perfection | | |
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| |  premature ejaculation | | |
| |  | | Other |
| |  Brilliant | | Digital | |
distribution | CD | | 734 | | CD-R | | 34 | | Vinyl | | 42 | | Minidisc | | 2 | | Digital | | 637 | | Multiple | | 2 | | Other | | 18 |
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| | Other |
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Members who contributed to this entry: Jaxijin, alabaster, ktulu24, Kentai01, useful_idiot, Husvik, mysterydance, TheMusicalVito, feastofnoise, eihaldtYou can edit this page to correct data or upload images, but you must log in first. View: Correction history [7] Image upload history [7]
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